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altiverb~	External		AltiVec enhanced version of freeverb~, the stereo implementation of the Schroeder/Moorer reverb model.
cverb~	External		cheezy reverb
freeverb	External		free reverb free reverb
freeverb~	External		stereo implementation of the Schroeder/Moorer reverb model stereo implementation of the Schroeder/Moorer reverb model, inlcudes source code 2 comments
gigaverb~	External		a mono in, stereo out reverb implementation by Juhana Sadeharju with extra long reverb times up to several minutes 1 comment
GLEETCHLAB 3	Standalone Application		A realtime modular composition and processing software for sound design and experimental music like glitch, IDM, electroacustic, ambient... Gleetchlab 3 is a modular software designed to process audio files and live sound sources in realtime. Unlike many music softwares, gleetchlab does not use a "timeline", instead you can process and record sound as it plays and quckly store every parameter into ten easy-to-recall temporary presets. You can manipulate samples with random loop points, alterate speed and direction of playing without limits, pencil-edit waveforms and use the internal DSPs such as convolution, feedback generator, granular re-synthesis, waveshaping distortion, spectral filtering, wow simulation, dynamic reverberation and your own VST plugins. Also you can record and re-record endlessly each processed sound into the 6 stereo loopers or manipulate sources coming from your soundcard and last but not least, use a quadriphonic suround mixer/recorder. Price 10.69€ Changes in V3 - Complete software redesign - MIDI Implementation - New DSPs - Quadriphonic mixing and recording - Parameters recall
Granular Cloud Generator	Patch		applies synchronous and asynchronous granular synthesis techniques to form granular clouds (in real time) output to 2-4 channels. applies synchronous and asynchronous granular synthesis techniques to form granular clouds (in real time) output to 2-4 channels. It allows for up to 400 grains per second and includes reverb, all manner of transpositions, and automation controls.
gverb~	External		reverb This object implements the same reverb algorithm found in my Griesinger VST plug-in below. It is a pretty good stereo reverb at a low CPU load. It currently allows the user to change the decay time and not much else. More parameters (like those in the plug-in) will be available in future versions.
hoa.reverberation~	Abstraction		A ambisonic reverberation. hoa.reverberation~ use a algorithm based on feedback network delay and doppler effect to simulate a room reveberation.
LXP15	Patch		A patch allowing to program and/or to drive in real-time using SysEx a vintage Lexicon LXP 15 reverb unit.
monoverb~	External		mono implementation of the Schroeder/Moorer reverb model (mono version of freeverb~)
newverb	Patch		a public-domain reverberation unit
NOISEPLUG	Standalone Application		Noiseplug is a standalone application for digital noise music and glitch sound. Inside: 4.sampler 1.granular/reverb 1.delay 1.mixer 1.spectral filter 1.synthetic drum machine and much more.
operand	Standalone Application		with the rise of granular synthesis becoming more and more popular, either being with synthesizers or sample manglers. the one thing i have not seen of it, is step sequencers, none at all. this is where operand comes in. • drag and drop sample folders [aiff/wav/mp3]. • effects [stereo filters, multitap stereo delay, stereo reverb and stereo stutter. [updated] • stereo audio/effect matrix. [new] • colour coded filter, stutter, delay and reverb step effect grids. [new] • store/recall setting for pitch, duration and panning. [new] • key controls [sample channel hits with keyboard, tap tempo]. • random pitch/pan/duration. • global and dedicated step/clock controls. [updated] • external audio recording. • plus much more.
rev1~	Abstraction		reverb rev1~ is a simple reverberation unit with lowpass filtering which is slightly more costly in terms of CPU usage than the "cheap" reverb unit: rev4~. Both reverb units have a mono input with stereo reverb output. Since the two outputs differ only by phase content, one output may be used alone when monophonic reverberation is required. The six control inputs of rev1~ control respectively, early reflection level, longer echoes level, late reverberation level, lowpass filter (damping) level, room size, and reverb time.
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