Objects			page : 1 2 3 4 5 6 7 8 9
Cyclops	External		Analyzing and tracking live video Cyclops is a Max object for analyzing and tracking live video. Through a simple interface, you can track performers and users with a video camera and analyze greyscale and color information from the live image. You can use the resulting Cyclops data to control MIDI, audio, video and anything else that you can do in Max.
DDR (Dance Dance Revolution) Interface	Patch		A nice little patch that interfaces the DDR Pad with Max. created by V.J. Manzo A nice little patch that interfaces the DDR Pad with Max. created by V.J. Manzo
Density	Standalone Application		Density Granular Synthesis Environment Density is a new real-time software designed especially for LIVE asynchronous granular synthesis and sound file granulation, a genuine granular playground able to generate a wide range of usual and not so usual effects: time/pitch shifting, time/pitch jittering, intricate textures, grain fountain/pulverizer, recording and manipulation of buffers, complex scrub pad exploration, dynamic envelope shape drawing and many more. Besides the basic tools, even more advanced tools are available to control the grains! You have smooth transitions (interpolation) between global presets (snapshots), you can navigate with hyperVectorial pads or/and sequence your snaps using the "snap rhythm improviser" which provides an unique & powerful way to generate incredible sound phrases. Like any good live-oriented tool, all widgets are controllable via MIDI and OSC protocol, easy to map and manipulate with your MIDI controller. All is packed in an optimized visually sharp interface, easy to use and access when fast improvising live or lazy composing in a studio.
detonate	External		Sequencing and graphic score following The detonate object--based on "explode" by Miller Puckette--allows you to input sequences of numbers via inlets, and to input and edit sequences graphically via the mouse and keyboard. (See "EXPLODE: A User Interface for Sequencing and Score Following" by Puckette in the Proceedings, International Computer Music Conference, 1990, Glasgow). The parameter names for input and output are redefinable. By default, from right to left are: extra 2, extra 1, track, channel, duration, velocity, pitch, and time. For MIDI purposes, these parameter names are useful, but the detonate object can be used with values of any nature as a general-purpose object for the storing and sequencing of numbers. The contents of detonate are saved with its patcher, although you can use Save As... when the detonate window is active to save it in its own file.
diamondtouch	External		grab data from a MERL diamondtouch diamondtouch is a multitouch, multiuser interface from MERL and this object is able to catch data from that kind of device...
dmxusbpro	External		The dmxusbpro external gives access to the Enttec DMX USB Pro interface and allows to send or receive DMX data. The dmxusbpro external for Max and Pure Data gives access to the Enttec DMX USB Pro interface and allows to send or receive DMX 512 data. dmxusbpro features: * send or receive up to 512 channels of DMX data * user setable refresh rate * user setable start-code * user setable break and mark-after-break time * update the firmaware of the interface * query available serial ports to find connected interfaces * query device's serial number
Doepfer Programmoer	Standalone Application		The Doepfer Programmoer gives you a simple interface to edit presets on your Doepfer Pocket Fader or Pocket Control. This only allows you to program Controller, Pitch Bend, Mono Aftertouch (Ch.Pressure), Program Change, Note On, Note Off as event types.
EAMIR - Guitar Hero	Standalone Application		Using the controller of the popular game Guitar Hero, I began writing a program that would allow the buttons of this controller to play the notes of any diatonic scale. created by V.J. Manzo Using the controller of the popular game Guitar Hero, I began writing a program that would allow the buttons of this controller to play the notes of any diatonic scale. Since, nearly all of my K-12 students play this game regularly (and better than me), I saw the practicality of using this controller, which they all seem to know, as an interface for making tonal music. The first 4 buttons are mapped to the 8 notes of any diatonic scale with respect to any tonic. The fifth button enables chord mode which enables each note to act as the root for the typical bar chord voicing found in guitar literature. The back button on the controller allows them to switch the octave designation. created by V.J. Manzo www.vjmanzo.com/cv | www.vincemanzo.com
EAMIR - Slider	Standalone Application		Slider is a touchscreen musical interface that converts graphical table data into a linear array of musical notes. created by V.J. Manzo Slider is a touchscreen musical interface that converts graphical table data into a linear array of musical notes. The slider software is run on a touchscreen computer which allows the table data to be entered by physically touching the graphical interface. Each point in the table is analyzed serially and yields a note. The notes are played back at user variable rhythm which can be changed by touching a rhythmic value icon at the left. The tempo can be changed as well. When a user touches the screen, the points are read and produce notes. The higher the line appears when it is read, the higher the note will sound. A keyboard appears beneath the table to reflect the pitch of the point currently being analyzed. By default, notes are read “up and down” that is, from left to right to left. This option can be changed to have notes read up (from left to right only) and down (from right to left only). Like all EAMIR software, the slider software can be customized to work with the sounds of any type of synthesizer. By default, the slider software will filter all of the notes to the 7 pitch classes of the C Major scale. The tonic and mode can be changed at any time by selecting from one of the 11 pitch classes or one of the 28 diatonic modes at the bottom left of the screen. User made patterns can be stored and recalled with ease by shift+clicking in the preset grid. created by V.J. Manzo www.vjmanzo.com/cv | www.vincemanzo.com
EAMIR SDK	External		The eamir SDK allows users to easily create their own eamir-like applications by connecting preassembled interface modules to musical modules. The interfaces include cameras with color tracking, guitar hero controllers, wii remotes and devices, dance danc The eamir SDK allows users to easily create their own eamir-like applications by connecting preassembled interface modules to musical modules. The interfaces include cameras with color tracking, guitar hero controllers, wii remotes and devices, dance dance revolution pads, and other gaming controllers as well as traditional MIDI instruments like keyboards. created by V.J. Manzo www.vjmanzo.com/cv | www.vincemanzo.com
envi	External		Script-configurable envelope editor Script-configurable envelope object (user interface object version)
en_analyzer~	External		interface to The Echo Nests's audio analysis. en_analyzer~ is a Max external that provides an interface to The Echo Nest's audio analysis API. The Echo Nest provides automatic musical analysis that uses machine listening techniques to extract attributes such as tempo, key, time signature, harmony, timbre, and rhythmic structures. With en_analyzer~, Max users can use The Echo Nest's technology to analyze audio data from a buffer~ object. The resulting analysis data can then be used to manipulate the original audio. Possible applications include building visualization tools, filtering or sorting segments of a song based on their pitch or timbre, and using rhythmic and harmonic events in a song to trigger another musical or visual process.
ep.binSpat~	Abstraction		handles binaural spatialization for use with headphones through the use of hrtf's. ep.binSpat~ version 0.16 29-03-2006 ep.binSpat~ is an msp object (abstraction) that handles binaural spatialization for use with headphones through the use of hrtf's. It can virtualy position a monoaural source on a horizontal plane 360 degrees around the listeners head by dynamic control of two parameters: direction and distance. It doesn't control vertical positioning. Thanx to soundHack for sampling the HRIR's. Some theory info: http:// color="#CC0000">interface.cipic.ucdavis.edu/CIL_tutorial/3D_HRTF/3D_HRTF.htm Only tested on OSX 10.4.4 with MaxMSP version 4.5.6. Heard from others that it works on OS9 and Windows XP too, though. download at http://www.eude.nl/maxmsp please send comments/reactions to: edo@eude.nl
FCB1010 Interface	Patch		An interface patch for using the Behringer FCB1010 foot controller inside Max/MSP. created by V.J. Manzo An interface patch for using the Behringer FCB1010 foot controller inside Max/MSP. created by V.J. Manzo
fidget	External		fidget provides an interface to Phidgets – physical widgets, available from Phidgets Incorporated. fidget provides an interface to Phidgets – physical widgets, available from Phidgets Incorporated. The fidget object uses a folder named ‘Phidgets’, located in the same folder as the Max program, to provide a collection of ‘plugins’ for device-specific behaviours.
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Libraries
EAMIR - the Electro-acoustic Musically Interactive Room	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='133'V.j. Manzo	The EAMIR project is an open-source effort to enable educators with technology for music education. Software is designed around a common configuration which can be easily implemented by music educators around the world by downloading source code and standalone applications through eamir.org. Users who understand programming can edit the source code and post their new source and standalone applications back to the site for the EAMIR community to use. Much of the EAMIR software is also designed to allow students with physical and mental disabilities to create meaningful music using interfaces that are accessible to their needs. The EAMIR SDK allows users to easily create their own EAMIR-like applications by connecting preassembled interface modules to musical modules. The interfaces include cameras with color tracking, guitar hero controllers, wii remotes and devices, dance dance revolution pads, and other gaming controllers as well as traditional MIDI instruments like keyboards. created by V.J. Manzo www.vjmanzo.com | www.eamir.org
hi.tools	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='158'Max Egger	An alternative to Max/MSP’s hi object, 2010 by Max Egger hi.tools lets you communicate with human interface devices (HID), like mice, joysticks or do-it-yourself usb thingies that follow the HID specification.
iCE	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='82' Dspaudio, Inc.	Sequencing, Recording and Interface Building for Max/MSP
jb.utilities	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='121'Joseph Branciforte	A set of 50 abstractions for performing both common and awkward tasks in Max/MSP. Categories include control, data, list processing, numbers, pattr-family, statistics, strings, and user-interface. Most perform multiple related functions and are unbiased as to data type where possible. Additionally, the download contains help files.
MaxAlea	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='96'Carl Faia	MaxAlea contains various objects for random distributions and functions. MaxAlea was begun as a Max port of an existing PatchWork Library created in 1991-2 by Mikhail Malt. While the distributions and functions found in MaxAlea are similar to those found in the Patchwork version ,there are many differences in their functioning. The environment of Patchwork is static and is not designed for real-time work. Part of the incentive for creating these objects to work with Max was to have a dynamic and real-time environment with which to experiment and work with these algorithms in a manner as simple and straightforward as possible. One can change variables and manipulate the output in many ways in real-time. There are several different versions of the various stochastic models/processes best presented in the now classic references by Denis Lorrain and Charles Dodge. Carl Faia has used a variety of sources for the creation of this library which include the Lorrain, Dodge and Malt implementations as well as sources found on the WorldWideWeb. The externals found in the package include several random distributions, examples of random walks and 1/f noise algorithms, as well as one or two utilities written specifically for the MaxAlea library. Carl Faia wanted to make a coherent collection (as he thought Malt had managed to do in PatchWork) of these various algorithms and provide an interface easily accessible using the Max environment for real-time control. All these algorithms have been created using a seeded version of the random function found in the standard AINSI library. That is, each time the function is first run there will always be a different set of random numbers (unlike the random funtions found in Max, PatchWork and other versions of random number generators).
p.jit.gl.tools	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='123' Pelado	the p.jit.gl tools are designed to provide for easier learning of and experimenting with the many attributes that are available to jitter's gl objects by making them a whole lot more transparent and accessible. patches expose jitter gl object's attributes to interfaces that allow you to immediately edit and change an attribute's value. many of the parameters are attached to blines, which provide smooth changes while rendering, and all settings can be saved and recalled as presets using the pattrs that are embedded in the patches.
suivi	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='88' Ircam	Two externals performing score following on soloist performances using Hidden Markov Models (HMM) Suivi is based on FTM and requires the shared library FTMlib for Max/MSP. Both externals use an FTM track object - a sequence of time-tagged FTM values - to store the score of the soloist performance to be followed. Notes, trills and other elements of the score are represented by FTM score objects (FTM scoob class). For the moment, scores can be imported from standard MIDI files only. An editor for the FTM track class, which will also provide a graphical control interface for the score follower is under development as well as the import of MusicXML files. The suivi object set is distributed within the IRCAM Forum.
tapemovie	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='144'Tom Mays Olivier Pfeiffer Renaud Rubiano	tapemovie is a modular software environment for controlling, processing, and analyzing various media in realtime (sound, video, 3D, lighting). It has stood the test of numerous productions since 2007, for theater, dance, concert performance and installation - enabling precise control and sequencing of media and their interactions while at the same time allowing connections with multiple peripheral controllers and interfaces. It is programmed with Max/MSP/Jitter and exists as a standalone application (free download), as well as in patch version for advanced users.
v001	debug: SELECT prenom, nom FROM auteurs RIGHT JOIN auteur_libraries USING (id_auteur) WHERE auteur_libraries.id_library='106'--/// Vade	v001 is meant to help bring a structured method for building modular and reusable performance patches for Max/MSP and Jitter - it isnt a complete low level programming system, rather an immediately useful set of pre-made objects and patching methodologies for building modules and automatically creating dynamic and scriptable user interfaces.